reading list
The Camp of the Saints
Jean Raspail
This book got pulled from Amazon like 2 days after I bought it (Mein Kampf still available in folio edition though, gj amzn) which is just to say that if there's one thing about me it's that if you tell me I can't read something, imma read it twice.
That being said, this book is racist and deserves the criticism that has caused it to be pulled from many a shelf, though I think that doing so is largely just performative virtue signaling especially when refusal to uniformly apply such treatment to e.g. SCUM manifesto, most of de Sade, various other manifestos, etc. implies a tacit endorsement or toleration of their respective contents. This isn't even a cry of "Bezos is treating rightwing ideas unfairly" bc see the above list – it's just an incoherent policy which can only be selectively applied as a knee-jerk reaction because the volume of "probably-bannable" books is effectively infinite if you open that can of worms and decide to become the arbiter of what is and is not okay to carry on your shelf. Go read Areopagitica you twat.
As for the book itself, the editorial and authorial prefaces detailing the philosophical undertones of the book and its reception since first publication are simultaneously much better than the book itself and, thus, at least partially dishonest about the message contained within the narrative.
According to the editorial preface, "The Camp of the Saints is about modern spiritual self hatred," which I would agree with - but I think this message is severely muddied by the racism.
The book could be argued to be anti-colonialist because all it does is voice the same concerns about a disappearing population like those victims of European colonialism.
His only fault was discussing a place not so foreign that the Western reader on average had never heard of it.
Preface states that Raspail's literary career began because of his sympathy for the Algonquins that he encountered on a canoe trip from France to New Orleans. (I thought this was cool, but after completing the book, I fail to see the connection... Maybe just included as a biographical nugget to try to prove that Raspail was not as hateful of a white supremacist as his narrator winds up being).
The preface describes how the book can be understood as a response to Sartre, who is maybe the most cucked philosopher after Nietzsche and Foucault. He [Sartre] demanded the need for reverse colonization, calling for Europeans to starve under hunger to correct the folly of their colonial ways. He was upset that it didn't happen, and that his vision remained a fiction. The preface claims that the book merely imagines Sartre's vision. In many ways this is true, but the damning thread is the narrative (omniscient) undertone throughout is not just that unchecked mass immigration is bad (not a hot take) but that the specific instance of Indian (non-white) immigration is bad. The preface equivocates about it being frowned upon to take pride in white heritage, which is maybe true, and that population replacement threatens white people (also not a controversial take). The preface fails to mention that the novel quickly leaps upon the strawman it constructs to inject white-supremacy (not just white/European/French pride and defensive preservation) into the argument against mass immigration. I think that the book would be just as effective if the mass of migrants was an ambiguous hoarde of other white people. The policy arguments remain the same, but Raspail is waaaayyyy tooo eager for it to be a vile brown hoarde of poo flinging barbarians and again exploits the omniscient narrator to make moral statements about the quality of these people based on the color of their skin. For Raspail, culture (and all the other axes along which "incompatibility" may be legitimately voiced) are strictly downstream of actual skin color.
The message comes not from the migrants, but from the Western ideology that forces the issue that they are clamoring for
I do like the argument that Raspail is indicting the West far more so than the migrants, the preface says something along the lines of him "merely holding up a mirror to their own willingness to forfeit responsibility to their citizenry to demonstrate a willingness to correct colonial wrongdoings." Along these lines, I think that he has surely been vindicated. This book tends to come up whenever Europe has a migration hullabaloo – and for that reason many passages indicting the West are bar-for-bar accurate qua Syrian refugee crisis being the the most recent one in my lifetime.
The migrants are described as being materially and culturally destitute. That is why they seek to immigrate to the West.
Sartre says something about how we ought to hope to be a native in the furthest corners of the world at his worst rather than a former settler, and Raspail is responding directly to this crazy claim which is filled with self loathing.
This kind of begs the question of can you separate people from the systems they exist within. People certainly make up the culture, and also some of those same people are responsible for the inequalities that the other people are seeking to escape from via the West. But I think that the preface might gloss over this a little bit too much. That being said, I don't know how you would handle this without falling victim to what aboutism, and Raspail doesn't even really try, he just goes mask off "brown = bad."
The president's wavering remark that it is up to each individual's responsibility to decide according to his own conscience atomizes the nation and dissolves it into individuals.
This is a very interesting and potentially dangerous authoritarianism read, but I don't think that it's entirely flawed.
Modern Catholic Christianity has been enrolled to universal humanitarianism, resulting in priests turning their back on their own flocks and seeking a messianic eschatology in finding Christ in each of the migrants.
Spot on. Hilarious that the Pope (who Raspail pays lip-service to in his preface) is called Benedict XVI and hails from South America. One of many curious tea leaves which he saw.
Decolonization is existential and violent. The colonized is only able to reassert himself by revolting against the colonist. This is not a right wing take.
This is the logical conclusion of Fannon and Sartre's's stated philosophies about how the colonized succumb culturally, morally, and obviously-geographically to the superior domination of the colonizer.
As for the book itself, the writing is just upper-mid. Obviously "derivative" of the rest of the dystopian hallmarks and of about the same prose quality. Raspail is willing to delve into strawman polls (Ch 32) with made up (?) statistics of favorability of racism, as well as scathing quotes from his fictitious pope about charity meaning bending over and basically spreading it. There is not too much dialectics – not that there has to be, but the combo of such a shoe-horned scenario, the omniscient narrator who reinforces ever last racist remark made (permissibly, within the confines of fiction) by every character, and the damning conclusions of the narrator's overtly racist leanings make for a less-than-intellectual argument made condescendingly and disgustingly from someone who is basically a broken clock...
As mentioned, would be as effective without portrayal of "barbaric" behavior of the mob, leaving it to the imagination of an unnamed foreign mob. But also there’s absolutely zero reason or obligation for the author to do that – would be like pulling a punch given what all else he is willing to dramatize.
god restoring whites to their proper place
preface didn't touch that ^
Wrongful dismissal of past violence (WWII) as being made by generations who did not have fully formed consciences, and that those acts were performed by wars of the rich. I don’t think that this is what the author actually believes, but it weakens the president’s argument for damn sure.
Attribution of STDs to racial intermixing rather than the disease ridden conditions on the ships. Those conditions are implicitly downstream of race for author who pretty much believes that the anti-christ will be born out of interracial marriage.
The problem in the abstract is thought provoking, but projected onto his racist specificities, I couldn't help but roll my eyes at the rhetorical vacuity of a book which received such high praise from the left behind closed doors according to Rapsail's preface. A 5th grader could dismantle his argument.
related
| Read | Author | Title | Pages | Published | Genre | Rating | Rating' | Tags | Recommended by |
|---|---|---|---|---|---|---|---|---|---|
| 4/27/26 | Jean Raspail | The Camp of the Saints | 356 | 1973 | Fiction | 5.500 | 5.000 | ||
| 9/14/25 | Kurt Vonnegut | Player Piano | 296 | 1952 | Sci-Fi | 6.650 | 6.278 | "dystopia" | |
| 9/10/25 | George Orwell | 1984 | 328 | 1949 | Sci-Fi | 7.750 | 7.500 | "dystopia" | |
| 9/7/25 | Yevgeny Zamyatin | We | 226 | 1924 | Sci-Fi | 7.000 | 6.667 | "dystopia" | |
| 9/6/25 | Aldous Huxley | Brave New World | 288 | 1932 | Sci-Fi | 7.250 | 6.944 | "dystopia" | |
| 11/13/26 | Donna Tartt | The Secret History | 559 | 1992 | Fiction | 8.000 | 7.778 | Kayla | |
| 10/22/26 | Yu Miri | Tokyo Ueno Station | 192 | 2021 | Fiction | 6.000 | 5.556 | ||
| 10/21/26 | Don DeLillo | Mao II | 256 | 1992 | Fiction | 8.000 | 7.778 | ||
| 10/16/26 | Mikhail Lermontov | A Hero of Our Time | 208 | 1840 | Fiction | 7.450 | 7.167 | Zack B. | |
| 10/12/26 | Fyodor Dostoevsky | White Nights | 96 | 1848 | Fiction | 6.500 | 6.111 | Taylor R. | |
| 10/6/26 | Rohinton Mistry | A Fine Balance | 624 | 1995 | Fiction | 7.650 | 7.389 | Kayla | |
| 10/4/26 | Don DeLillo | Pafko at the Wall | 96 | 2001 | Fiction | 7.250 | 6.944 | ||
| 9/25/26 | William Gaddis | Carpenter's Gothic | 288 | 1985 | Fiction | 8.500 | 8.333 | ||
| 9/24/26 | Osamu Dazai | No Longer Human | 177 | 1948 | Fiction | 7.650 | 7.389 | ||
| 9/16/26 | Herman Melville | Moby Dick | 608 | 1851 | Fiction | 8.450 | 8.278 | Howarddd | |
| 9/7/26 | Don DeLillo | White Noise | 320 | 1985 | Fiction | 7.750 | 7.500 | Ben Roth | |
| 9/5/26 | John Williams | Nothing but the Night | 144 | 1948 | Fiction | 7.350 | 7.056 | ||
| 8/26/26 | Stefan Zweig | Beware of Pity | 392 | 1939 | Fiction | 7.850 | 7.611 | ||
| 8/18/26 | Miroslav Krleža | On the Edge of Reason | 192 | 1938 | Fiction | 7.850 | 7.611 | ||
| 8/13/26 | Cormac McCarthy | Cities of the Plain The Border Trilogy (3) | 292 | 1998 | Fiction | 7.750 | 7.500 | ||
| 8/10/26 | Cormac McCarthy | The Crossing The Border Trilogy (2) | 426 | 1994 | Fiction | 7.500 | 7.222 | ||
| 8/6/26 | Cormac McCarthy | All the Pretty Horses The Border Trilogy (1) | 302 | 1992 | Fiction | 7.625 | 7.361 | ||
| 8/4/26 | Ray Bradbury | There Will Come Soft Rains | 5 | 1950 | Fiction | 6.750 | 6.389 | ||
| 7/31/26 | Mikhail Bulgakov | Heart of a Dog | 123 | 1968 | Fiction | 7.350 | 7.056 | Zack B. | |
| 7/29/26 | Min Jin Lee | Pachinko | 544 | 2017 | Fiction | 6.583 | 6.204 | ||
| 7/20/26 | Thomas Mann | The Magic Mountain | 706 | 1924 | Fiction | 7.300 | 7.000 | Scott | |
| 6/28/26 | Ivan Turgenev | Fathers and Sons | 226 | 1862 | Fiction | 7.000 | 6.667 | Scott | |
| 6/6/26 | Mikhail Bulgakov | The Master and Margarita | 450 | 1967 | Fiction | 7.650 | 7.389 | ||
| 5/5/26 | Brian Evenson | Altmann's Tongue | 278 | 1994 | Fiction | 6.500 | 6.111 | ||
| 5/1/26 | Laura Knowlin | if only i had told her | 391 | 2024 | Fiction | 6.033 | 5.593 | ||
| 4/22/26 | Virginia Woolf | To the Lighthouse | 209 | 1927 | Fiction | 7.350 | 7.056 | Ben Roth | |
| 4/19/26 | Benjamín Labatut | When We Cease to Understand the World | 192 | 2021 | Fiction | 8.000 | 7.778 | ||
| 4/18/26 | László Krasznahorkai | Chasing Homer | 96 | 2019 | Fiction | 6.650 | 6.278 | ||
| 4/17/26 | Cormac McCarthy | No Country for Old Men | 320 | 2005 | Fiction | 8.250 | 8.056 | ||
| 4/13/26 | Cormac McCarthy | Blood Meridian | 349 | 1985 | Fiction | 8.650 | 8.500 | ||
| 4/11/26 | Patrick White | Voss | 442 | 1957 | Fiction | 7.650 | 7.389 | ||
| 4/5/26 | John Williams | Augustus | 336 | 1971 | Fiction | 8.250 | 8.056 | ||
| 4/5/26 | Joseph Andras | Tomorrow They Won't Dare to Murder Us | 144 | 2021 | Fiction | 8.000 | 7.778 | ||
| 4/2/26 | Roberto Bolaño | Posthumous Stories | 160 | 2025 | Fiction | 7.000 | 6.667 | ||
| 4/2/26 | Sophocles | Oedipus Rex | 94 | -429 | Fiction | 7.000 | 6.667 | ||
| 4/1/26 | Makenna Goodman | Helen of Nowhere | 160 | 2025 | Fiction | 7.350 | 7.056 | ||
| 3/31/26 | Roberto Bolaño | The Return | 208 | 2010 | Fiction | 7.115 | 6.795 | ||
| 3/27/26 | Roberto Bolaño | The Third Reich | 277 | 1989 | Fiction | 7.750 | 7.500 | ||
| 3/25/26 | Roberto Bolaño | Nazi Literature in the Americas | 237 | 1996 | Fiction | 8.250 | 8.056 | ||
| 3/23/26 | Roberto Bolaño | The Skating Rink | 192 | 1993 | Fiction | 7.350 | 7.056 | ||
| 3/22/26 | Roberto Bolaño | The Insufferable Gaucho | 164 | 2003 | Fiction | 7.625 | 7.361 | ||
| 3/21/26 | Roberto Bolaño | A Little Lumpen Novelita | 128 | 2002 | Fiction | 7.550 | 7.278 | ||
| 3/20/26 | Roberto Bolaño | Antwerp | 119 | 2002 | Fiction | 7.250 | 6.944 | ||
| 3/19/26 | David Foster Wallace | The Broom of the System | 467 | 1987 | Fiction | 7.875 | 7.639 | ||
| 3/14/26 | Alexis Wright | Praiseworthy | 736 | 2023 | Fiction | 7.125 | 6.806 | ||
| 3/4/26 | André Gide | The Immoralist | 154 | 1902 | Fiction | 7.000 | 6.667 | Ben Roth | |
| 3/3/26 | Stefan Zweig | Chess | 84 | 1942 | Fiction | 8.500 | 8.333 | ||
| 2/28/26 | Lucy Ellmann | Ducks, Newburyport | 1022 | 2019 | Fiction | 2.000 | 1.111 | ||
| 2/16/26 | Natsuo Kirino | Out | 416 | 1992 | Fiction | 5.000 | 4.444 | ||
| 1/30/26 | William H. Gass | The Tunnel | 652 | 1995 | Fiction | 8.550 | 8.389 | Ben Roth | |
| 1/25/26 | Jon Fosse | A New Name Septology (3) | 228 | 2021 | Fiction | 7.000 | 6.667 | ||
| 1/25/26 | Jacqueline Harpman | I Who Have Never Known Men | 184 | 1995 | Fiction | 6.850 | 6.500 | Jessika | |
| 1/24/26 | Jon Fosse | The Other Name Septology (1) | 351 | 2019 | Fiction | 6.500 | 6.111 | ||
| 1/24/26 | Jon Fosse | I is Another Septology (2) | 271 | 2020 | Fiction | 6.833 | 6.481 | ||
| 1/20/26 | John Williams | Butcher's Crossing | 274 | 1960 | Fiction | 7.750 | 7.500 | ||
| 1/19/26 | Raymond Carver | What We Talk About When We Talk About Love | 176 | 1981 | Fiction | 6.500 | 6.111 | ||
| 1/18/26 | Sally Rooney | Beautiful World, Where Are You | 368 | 2021 | Fiction | 6.250 | 5.833 | Kayla | |
| 1/1/26 | Juan Rulfo | Pedro Páramo | 144 | 1955 | Fiction | 7.850 | 7.611 | ||
| 12/26/25 | Boris and Arkady Strugatsky | One Billion Years to the End of the World | 176 | 1977 | Fiction | 7.450 | 7.167 | ||
| 12/23/25 | Sally Rooney | Intermezzo | 448 | 2024 | Fiction | 7.850 | 7.611 | ||
| 11/27/25 | Vladimir Sorokin | Their Four Hearts | 204 | 1994 | Fiction | 7.500 | 7.222 | ||
| 11/10/25 | David Markson | Wittgenstein's Mistress | 248 | 1988 | Fiction | 8.250 | 8.056 | Dasha | |
| 10/22/25 | Milan Kundera | The Unbearable Lightness of Being | 314 | 1984 | Fiction | 8.200 | 8.000 | Ben Roth | |
| 10/15/25 | Louis-Ferdinand Céline | Guignol's Band | 287 | 1944 | Fiction | 6.000 | 5.556 | ||
| 10/12/25 | László Krasznahorkai | Sátántangó | 333 | 1985 | Fiction | 7.850 | 7.611 | ||
| 10/9/25 | Vigdis Hjorth | Will and Testament | 336 | 2016 | Fiction | 8.000 | 7.778 | ||
| 10/2/25 | Brett Easton Ellis | The Informers | 240 | 1994 | Fiction | 7.000 | 6.667 | ||
| 9/29/25 | John Williams | Stoner | 278 | 1965 | Fiction | 8.250 | 8.056 | ||
| 9/18/25 | Fyodor Dostoevsky | Poor Folk | 288 | 1846 | Fiction | 6.750 | 6.389 | Tommy A. | |
| 9/16/25 | David Foster Wallace | Brief Interviews with Hideous Men | 288 | 1999 | Fiction | 8.633 | 8.481 | ||
| 9/4/25 | Sue Monk Kidd | The Book of Longings | 432 | 2020 | Fiction | 6.350 | 5.944 | ||
| 8/25/25 | Roberto Bolaño | Amulet | 154 | 1999 | Fiction | 7.000 | 6.667 | ||
| 8/9/25 | Toni Morrison | Song of Solomon | 338 | 1977 | Fiction | 7.350 | 7.056 | Ben Roth | |
| 8/7/25 | Roberto Bolaño | Monsieur Pain | 134 | 1999 | Fiction | 8.100 | 7.889 | ||
| 8/6/25 | Denis Johnson | Train Dreams | 116 | 2002 | Fiction | 7.450 | 7.167 | Ben Roth | |
| 8/6/25 | Christina Brooke-Rose | Amalgamemnon | 152 | 1984 | Fiction | 7.250 | 6.944 | Dasha | |
| 8/5/25 | Thomas Pynchon | The Crying of Lot 49 | 152 | 1965 | Fiction | 8.750 | 8.611 | Preston | |
| 8/5/25 | Roberto Bolaño | By Night in Chile | 118 | 2000 | Fiction | 7.250 | 6.944 | ||
| 8/3/25 | Roberto Bolaño | The Savage Detectives | 656 | 1998 | Fiction | 7.167 | 6.852 | Dasha | |
| 7/31/25 | William Faulkner | As I Lay Dying | 288 | 1930 | Fiction | 7.750 | 7.500 | Dasha | |
| 7/14/25 | Mark Z. Danielewski | The Fifty Year Sword | 280 | 2005 | Fiction | 5.500 | 5.000 | ||
| 7/11/25 | Vladimir Nabokov | The Enchanter | 144 | 1986 | Fiction | 7.750 | 7.500 | ||
| 7/10/25 | Vladimir Nabokov | Look at the Harlequins! | 224 | 1974 | Fiction | 8.286 | 8.095 | ||
| 7/7/25 | Vladimir Nabokov | Nabokov's Dozen | 214 | 1958 | Fiction | 6.635 | 6.261 | ||
| 7/7/25 | Vladimir Nabokov | Transparent Things | 127 | 1972 | Fiction | 8.250 | 8.056 | ||
| 7/4/25 | Dino Buzzati | The Tartar Steppe | 198 | 1940 | Fiction | 7.650 | 7.389 | Ben Roth | |
| 6/24/25 | Vladimir Nabokov | Ada or Ardor: A Family Chronicle | 500 | 1969 | Fiction | 6.550 | 6.167 | ||
| 6/19/25 | Vladimir Nabokov | Pnin | 208 | 1957 | Fiction | 7.650 | 7.389 | ||
| 6/9/25 | Vladimir Nabokov | Bend Sinister | 272 | 1947 | Fiction | 7.250 | 6.944 | ||
| 6/7/25 | Vladimir Nabokov | The Gift | 384 | 1938 | Fiction | 6.250 | 5.833 | ||
| 6/3/25 | Vladimir Nabokov | Invitation to a Beheading | 240 | 1936 | Fiction | 7.500 | 7.222 | ||
| 5/31/25 | Gillian Flynn | Sharp Objects | 252 | 2006 | Fiction | 7.000 | 6.667 | ||
| 5/31/25 | Vladimir Nabokov | Laughter in the Dark | 304 | 1933 | Fiction | 7.350 | 7.056 | ||
| 5/27/25 | Hubert Selby Jr. | Last Exit to Brooklyn | 320 | 1964 | Fiction | 8.708 | 8.565 | King | |
| 5/24/25 | Herman Melville | Bartleby the Scrivener | 74 | 1853 | Fiction | 7.000 | 6.667 | Ben Roth | |
| 5/9/25 | Vladimir Nabokov | King, Queen, Knave | 272 | 1928 | Fiction | 7.600 | 7.333 | ||
| 5/9/25 | Vladimir Nabokov | The Eye | 128 | 1930 | Fiction | 6.500 | 6.111 | ||
| 5/8/25 | Vladimir Nabokov | Mary | 144 | 1926 | Fiction | 7.250 | 6.944 | ||
| 4/20/25 | Vladimir Nabokov | Glory | 224 | 1932 | Fiction | 6.750 | 6.389 | ||
| 4/19/25 | Vladimir Nabokov | Despair | 240 | 1934 | Fiction | 7.000 | 6.667 | ||
| 4/18/25 | Jane Austen | Sense and Sensibility | 432 | 1811 | Fiction | 7.750 | 7.500 | Emma | |
| 4/18/25 | Vladimir Nabokov | The Luzhin Defense | 280 | 1930 | Fiction | 7.850 | 7.611 | ||
| 4/15/25 | David Foster Wallace | The Pale King | 636 | 2011 | Fiction | 7.750 | 7.500 | ||
| 4/14/25 | Elisa Shua Dusapin | The Pachinko Parlor | 164 | 2018 | Fiction | 7.850 | 7.611 | ||
| 2/7/25 | James Joyce | Ulysses | 732 | 1920 | Fiction | 8.181 | 7.978 | ||
| 1/30/25 | Leo Tolstoy | The Death of Ivan Ilyich | 128 | 1886 | Fiction | 6.750 | 6.389 | King | |
| 1/29/25 | Hubert Selby Jr. | Requiem for a Dream | 288 | 1978 | Fiction | 7.500 | 7.222 | ||
| 1/21/25 | Kaveh Akbar | Martyr! | 352 | 2024 | Fiction | 7.750 | 7.500 | Tommy A. | |
| 1/14/25 | James Baldwin | Go Tell it on the Mountain | 272 | 1952 | Fiction | 8.000 | 7.778 | ||
| 1/12/25 | James Baldwin | If Beale Street Could Talk | 197 | 1974 | Fiction | 6.250 | 5.833 | ||
| 1/10/25 | James Baldwin | Giovanni's Room | 159 | 1956 | Fiction | 6.500 | 6.111 | ||
| 1/10/25 | Anthony Burgess | A Clockwork Orange | 243 | 1962 | Fiction | 7.500 | 7.222 | ||
| 1/4/25 | Khaled Hosseini | Kite Runner | 371 | 2003 | Fiction | 6.750 | 6.389 | ||
| 12/26/24 | Fyodor Dostoevsky | Notes from Underground | 168 | 1864 | Fiction | 7.500 | 7.222 | Tommy A. | |
| 12/10/24 | Neal Stephenson | Zodiac | 316 | 1988 | Fiction | 7.000 | 6.667 | ||
| 11/6/24 | Fyodor Dostoevsky | The Gambler | 191 | 1866 | Fiction | 6.500 | 6.111 | ||
| 11/5/24 | Fyodor Dostoevsky | The Double | 144 | 1846 | Fiction | 6.250 | 5.833 | ||
| 10/30/24 | David Foster Wallace | Infinite Jest | 1451 | 1996 | Fiction | 10.000 | 10.000 | ||
| 10/25/24 | Vladimir Nabokov | The Real Life of Sebastian Knight | 236 | 1941 | Fiction | 7.150 | 6.833 | ||
| 10/25/24 | Various | 40 x 40 | 394 | 2003 | Fiction | 7.500 | 7.222 | ||
| 10/20/24 | Fyodor Dostoevsky | The Idiot | 486 | 1869 | Fiction | 7.125 | 6.806 | Tommy A. | |
| 10/18/24 | John Kennedy Toole | A Confederacy of Dunces | 405 | 1980 | Fiction | 7.750 | 7.500 | Tommy A. | |
| 10/13/24 | Italo Calvino | Invisible Cities | 179 | 1972 | Fiction | 5.500 | 5.000 | ||
| 10/1/24 | Fyodor Dostoevsky | Crime and Punishment | 527 | 1866 | Fiction | 7.286 | 6.984 | Tommy A. | |
| 9/30/24 | Jorge Luis Borges | The Zahir | 13 | 1949 | Fiction | 7.250 | 6.944 | ||
| 9/26/24 | Haruki Murakami | Kafka on the Shore | 505 | 2002 | Fiction | 5.875 | 5.417 | ||
| 9/25/24 | Franz Kafka | In the Penal Colony | 33 | 1919 | Fiction | 7.500 | 7.222 | ||
| 9/25/24 | Ray Bradbury | The Veldt | 13 | 1950 | Fiction | 6.500 | 6.111 | ||
| 9/19/24 | William Faulkner | Light in August | 498 | 1932 | Fiction | 7.350 | 7.056 | ||
| 9/9/24 | Thomas Pynchon | V. | 545 | 1963 | Fiction | 7.221 | 6.912 | ||
| 8/14/24 | Fyodor Dostoevsky | The Brothers Karamazov | 898 | 1880 | Fiction | 8.654 | 8.504 | Tommy A. | |
| 8/5/24 | Brian O'Raleigh | Passage to Inis Mór | 305 | 2020 | Fiction | 7.750 | 7.500 | Grandpa | |
| 6/28/24 | Te-Ping Chen | The Land of Big Numbers | 236 | 2021 | Fiction | 5.625 | 5.139 | ||
| 6/26/24 | Various | American Short Fiction Vol. 9, Issue 33 | 128 | 2006 | Fiction | 7.625 | 7.361 | ||
| 6/20/24 | James Joyce | A Portrait of the Artist as a Young Man | 299 | 1916 | Fiction | 6.500 | 6.111 | ||
| 6/7/24 | Philip Roth | Everyman | 193 | 2006 | Fiction | 4.500 | 3.889 | ||
| 6/6/24 | Jorge Luis Borges | Tlön, Uqbar, Orbis Tertius | 16 | 1940 | Fiction | 7.750 | 7.500 | Chabon | |
| 6/3/24 | Cormac McCarthy | The Road | 257 | 2006 | Fiction | 7.500 | 7.222 | Chabon | |
| 5/30/24 | Vladimir Nabokov | Lolita | 336 | 1955 | Fiction | 8.213 | 8.014 | ||
| 5/17/24 | Neil Gaiman | American Gods | 518 | 2001 | Fiction | 5.125 | 4.583 | Nick W. | |
| 4/9/24 | Roberto Bolaño | 2666: A Novel | 912 | 2004 | Fiction | 8.150 | 7.944 | roon | |
| 3/21/24 | John Steinbeck | East of Eden | 601 | 1952 | Fiction | 8.688 | 8.542 | Jack H. | |
| 2/19/24 | Ray Bradbury | Mars is Heaven | 12 | 1948 | Fiction | 8.000 | 7.778 | ||
| 9/1/23 | Máirtín Ó Cadhain | Graveyard Clay | 328 | 1949 | Fiction | 6.750 | 6.389 | ||
| 12/13/22 | Adam Silvera | They Both Die at the End | 243 | 2017 | Fiction | 2.000 | 1.111 | ||
| 7/25/22 | Ray Bradbury | The Illustrated Man | 256 | 1969 | Fiction | 7.500 | 7.222 | ||
| 6/13/22 | Stephen King | The Institute | 576 | 2019 | Fiction | 6.500 | 6.111 | ||
| 6/12/19 | Stephen King | The Stand | 1153 | 1978 | Fiction | 8.500 | 8.333 | Dad | |
| 4/20/18 | Anthony Powell | The Acceptance World A Dance to the Music of Time (3) | 353 | 1955 | Fiction | 6.750 | 6.389 | Steg | |
| 4/17/18 | Anthony Powell | A Buyer's Market A Dance to the Music of Time (2) | 292 | 1952 | Fiction | 6.750 | 6.389 | Steg | |
| 4/15/18 | Anthony Powell | A Question of Upbringing A Dance to the Music of Time (1) | 230 | 1951 | Fiction | 6.750 | 6.389 | Steg | |
| 3/10/18 | Virginia Woolf | Mrs. Dalloway | 224 | 1925 | Fiction | 6.500 | 6.111 | Steg | |
| 11/12/17 | Kazuo Ishiguro | Never Let Me Go | 304 | 2005 | Fiction | 4.000 | 3.333 | ||
| 10/15/17 | William Golding | Lord of the Flies | 189 | 1954 | Fiction | 7.000 | 6.667 | ||
| 9/1/17 | Hunter S. Thompson | Fear and Loathing in Las Vegas | 225 | 1971 | Fiction | 6.000 | 5.556 | Alex W. | |
| 8/12/17 | Kurt Vonnegut | Slaughterhouse Five | 190 | 1969 | Fiction | 7.750 | 7.500 | Sean G. | |
| 6/21/17 | Fredrik Backman | And Every Morning the Way Home Gets Longer and Longer | 96 | 2016 | Fiction | 9.000 | 8.889 | Mom | |
| 5/27/17 | Franz Kafka | The Trial | 150 | 1925 | Fiction | 7.500 | 7.222 | ||
| 2/15/17 | Frank O'Connor | The Drunkard | 6 | 1948 | Fiction | 8.000 | 7.778 | ||
| 10/20/16 | Charles Dickens | A Tale of Two Cities | 544 | 1859 | Fiction | 6.750 | 6.389 | ||
| 10/10/16 | William Faulkner | The Sound and the Fury | 326 | 1927 | Fiction | 8.250 | 8.056 | Steg | |
| 5/20/16 | J.D. Salinger | Catcher in the Rye | 232 | 1951 | Fiction | 3.000 | 2.222 | ||
| 5/20/16 | Kurt Vonengut | Timequake | 278 | 2011 | Fiction | 8.250 | 8.056 | Sean G. | |
| 9/11/14 | Guy De Maupassant | The Prisoners | 24 | 1880 | Fiction | 7.500 | 7.222 | ||
| 3/15/13 | Richard Connell | The Most Dangerous Game | 18 | 1924 | Fiction | 7.250 | 6.944 | Mom |