reading list
Augustus
John Williams
John Williams is quickly becoming one of my most-respected authors of the 20th century – his range is just insane. Whereas Stoner follows the life/career/journey of a man who leaves his agrarian inheritance to make a name for himself in the world of academics, and his western Butcher's Crossing charts the opposite trajectory of character development of a guy leaving the world of academia to learn about cowboys, this book is yet another banger installation in a wholly orthogonal genre of epistolary biographical fiction. He nails the latinate structure, cadence, and a lot of the expository details which would otherwise be hamfisted actually workout perfectly because that is how Romans wrote to one another: constantly reminding each other of the debts owed or the favors being paid and why in detail.
This book follows Octavius from his youth through to his reign as first emperor of Rome. The book consists solely of letters and "fragments" of would-be journals that fill in gaps in primary source documents.
Gaius Octavius Thurinus is more of an intellectual than a leader or a soldier. When he learns of the death of his uncle who had written him to express an intent to groom him to be a successor, he is surrounded by his friends: Gaius Cilnius Maecenas, Marcus Vipsanius Agrippa, and Quintus Salvidienus Rufus. And it's just so freakin' cool that they're like a couple of 19 year olds who all of the sudden find themselves in media res and set on avenging the murder of Caesar by the senate.
Octavius's mother writes to him urging him to renounce his claim to Caesar's name – for he (Caesar) had expressed intent to name Octavius as his son in his will. They head to Rome on peaceful terms, and Octavius is counseled by Mark Antony not to use the name of Caesar either. Octavius quickly emerges as a cold-blooded badass whilst navigating these murky political waters where he was very much viewed as a potential threat.
To legitimize his claim to Caesar's name, Octavius raises an army to attack Antony's army, helping to defend Decimus Carfulenus in the interest of the Senate. However the Senate backs out after the young man succeeds and so Octavius then goes to the same Mark Antony who he just defeated to secretly establish a triumvirate over the top of the Senate with the third, neutral (equally disliked) figure of Marcus Aemilius Lepidus. During these negotiations, Octavius learns (from mark Antony) that his friend Quintus Salvidienus Rufus betrayed him to Mark Antony. Rufus kills himself out of shame after receiving a letter from Octavius which stripped him of his powers.
Power is consolidated via assassination of senatorial traitors, but tensions between old Mark Antony and young Octavius remain tenuous. To bring stability to the emerging empire, Caesar offers his sister Octavia to Mark Antony to wed their houses and join their families, but Mark Antony keeps up his affairs with Cleopatra. The union is unsuccessful and so Caesar ultimately has to defeat Mark Antony at Actium – Antony kills himself afterwards. In one of the most savage strokes of power consolidation, Caesar orders the execution of both his own illegitimate son with Cleopatra –Caesarion– as well as Mark Antony's, also by Cleopatra, Marcus Antonius Antyllus who are but boys aged the same as he was when he learned of his uncle's death... At the age of 33 he is granted the title of Augustus.
Book II follows his efforts to maintain his empire, which he knows is a fools gambit. While less action-packed than the cloak & dagger maneuverings of Book I, I think this book shines in its own right by the way in which Williams breaths life into these characters who, by this point in time two thousand years later, have basically disappeared into mythology rather than history. Caesar Augustus is painfully aware that there is nothing he can do to prop up the empire forever. Just like in 11/22/63 time is the great enemy which no man can circumvent.
The despair I have voiced seems to me now unworthy of what I have done. Rome is not eternal; it does not matter. Rome will fall; it does not matter. The barbarian [Time] will conquer; it does not matter. There was a moment of Rome, and it will not wholly die; the barbarian will become the Rome he conquers; the language will smooth his rough tongue; the vision of what he destroys will flow in his blood. and in time that is ceaseless as this salt sea upon which I am so frailly suspended, the cost is nothing, is less than nothing.
This book centers on the relations with his third wife Livia and his daughter Julia respectively. Julia is educated like Roman citizen (man), groomed to be a ruler like Octavius was. While she is a teenager, Caesar falls ill. In an attempt to preserve his intended line of succession, he marries Julia to her cousin and his niece to his friend Marcus Vipsanius Agrippa. Caesar survives his sickness, but Julia's husband/cousin does not. Whoops! he sees a better configuration, and remarries Julia to Agrippa after ordering a divorce between Agrippa and his niece. None of these ladies much care for being used a pieces in his game, and as relations become strained, Octavius violates his own harsh laws about adultery by taking Maecenas's wife as his mistress. Along the way, there are many August musings about how virtue ought to be inspired by the law and vice versa. The irony of the philosophical meditations is that their author is fully aware that he is refusing to follow his own ukeses.
As the emperor's daughter, Julia starts to become a problem! On a tour of the empire, she amasses a following as is inducted into a secret society on Lesbos, revered as a goddess. She throws the family name around, ordering ridiculous taxes on those that did not attempt to save her life when her ship sank on the return trip from Lesbos and the locals merely looked on. We can see Augustus pinching the bridge of his nose upon learning that she levied an impossible tax upon the locals for not saving the emperor's daughter who was coming back from a weird sex cult thing. After bearing a son by Tiberius and being corralled even just a little bit, Julia engages in an affair with a surviving son of Mark Antony. Her husband and father both shrug their shoulders about it until it is discovered that Iullus Antonius is plotting to kill Tiberius and Caesar. Tiberius plans to publicize the plot to seize power, which would surely result in Julia's death. Caesar instead procesutes her under the adultery laws which everyone had been ignoring, saving her life, his life, and the empire yet again and wearily confirms Tiberius to be his heir (instead of Julia), adopting Tiberius as Julius Caesar adopted him.
The final epistles and notes evince the observations of a wise, old emperor who knows what he's got, and what he hasn't. Earnest letters between he and his Jewish friend Nicolaus of Damascus about Tiberius, Herod, his life's successes and failures are really touching and august. He's pissed that the people of Rome (the same people who supported his uncles assassination, and then his own confirmation) now clamor for violence still. The people are retarded it seems.
Book ends with some notes from Augutus's physician who is remiss that he knew the man but little (testament to how quickly these colossal figures are forgotten by history) as well as his hope that the new emperor Nero will restore stability to the Roman empire lol.
related
| Read | Author | Title | Pages | Published | Genre | Rating | Rating' | Tags | Recommended by |
|---|---|---|---|---|---|---|---|---|---|
| 4/5/26 | John Williams | Augustus | 336 | 1971 | Fiction | 8.250 | 8.056 | ||
| 9/5/26 | John Williams | Nothing but the Night | 144 | 1948 | Fiction | 7.350 | 7.056 | ||
| 1/20/26 | John Williams | Butcher's Crossing | 274 | 1960 | Fiction | 7.750 | 7.500 | ||
| 9/29/25 | John Williams | Stoner | 278 | 1965 | Fiction | 8.250 | 8.056 | ||
| 1/28/25 | Stephen King | 11/22/63 | 849 | 2011 | Historical Fiction | 8.000 | 7.778 | time is the enemy | Grandma |
| 11/13/26 | Donna Tartt | The Secret History | 559 | 1992 | Fiction | 7.850 | 7.611 | Kayla | |
| 10/22/26 | Yu Miri | Tokyo Ueno Station | 192 | 2021 | Fiction | 6.000 | 5.556 | ||
| 10/21/26 | Don DeLillo | Mao II | 256 | 1992 | Fiction | 8.000 | 7.778 | ||
| 10/16/26 | Mikhail Lermontov | A Hero of Our Time | 208 | 1840 | Fiction | 7.450 | 7.167 | Zack B. | |
| 10/12/26 | Fyodor Dostoevsky | White Nights | 96 | 1848 | Fiction | 6.500 | 6.111 | Taylor R. | |
| 10/6/26 | Rohinton Mistry | A Fine Balance | 624 | 1995 | Fiction | 7.650 | 7.389 | Kayla | |
| 10/4/26 | Don DeLillo | Pafko at the Wall | 96 | 2001 | Fiction | 7.250 | 6.944 | ||
| 9/25/26 | William Gaddis | Carpenter's Gothic | 288 | 1985 | Fiction | 8.500 | 8.333 | ||
| 9/24/26 | Osamu Dazai | No Longer Human | 177 | 1948 | Fiction | 7.650 | 7.389 | ||
| 9/16/26 | Herman Melville | Moby Dick | 608 | 1851 | Fiction | 8.450 | 8.278 | Howarddd | |
| 9/7/26 | Don DeLillo | White Noise | 320 | 1985 | Fiction | 7.750 | 7.500 | Ben Roth | |
| 8/26/26 | Stefan Zweig | Beware of Pity | 392 | 1939 | Fiction | 7.850 | 7.611 | ||
| 8/18/26 | Miroslav Krleža | On the Edge of Reason | 192 | 1938 | Fiction | 7.850 | 7.611 | ||
| 8/13/26 | Cormac McCarthy | Cities of the Plain The Border Trilogy (3) | 292 | 1998 | Fiction | 7.750 | 7.500 | ||
| 8/10/26 | Cormac McCarthy | The Crossing The Border Trilogy (2) | 426 | 1994 | Fiction | 7.500 | 7.222 | ||
| 8/6/26 | Cormac McCarthy | All the Pretty Horses The Border Trilogy (1) | 302 | 1992 | Fiction | 7.625 | 7.361 | ||
| 8/4/26 | Ray Bradbury | There Will Come Soft Rains | 5 | 1950 | Fiction | 6.750 | 6.389 | ||
| 7/31/26 | Mikhail Bulgakov | Heart of a Dog | 123 | 1968 | Fiction | 7.350 | 7.056 | Zack B. | |
| 7/29/26 | Min Jin Lee | Pachinko | 544 | 2017 | Fiction | 6.583 | 6.204 | ||
| 7/20/26 | Thomas Mann | The Magic Mountain | 706 | 1924 | Fiction | 7.300 | 7.000 | Scott | |
| 6/28/26 | Ivan Turgenev | Fathers and Sons | 226 | 1862 | Fiction | 7.000 | 6.667 | Scott | |
| 6/6/26 | Mikhail Bulgakov | The Master and Margarita | 450 | 1967 | Fiction | 7.650 | 7.389 | ||
| 5/5/26 | Brian Evenson | Altmann's Tongue | 278 | 1994 | Fiction | 6.500 | 6.111 | ||
| 5/1/26 | Laura Knowlin | if only i had told her | 391 | 2024 | Fiction | 6.033 | 5.593 | ||
| 4/27/26 | Jean Raspail | The Camp of the Saints | 356 | 1973 | Fiction | 5.500 | 5.000 | ||
| 4/22/26 | Virginia Woolf | To the Lighthouse | 209 | 1927 | Fiction | 7.350 | 7.056 | Ben Roth | |
| 4/19/26 | Benjamín Labatut | When We Cease to Understand the World | 192 | 2021 | Fiction | 8.000 | 7.778 | ||
| 4/18/26 | László Krasznahorkai | Chasing Homer | 96 | 2019 | Fiction | 6.650 | 6.278 | ||
| 4/17/26 | Cormac McCarthy | No Country for Old Men | 320 | 2005 | Fiction | 8.250 | 8.056 | ||
| 4/13/26 | Cormac McCarthy | Blood Meridian | 349 | 1985 | Fiction | 8.650 | 8.500 | ||
| 4/11/26 | Patrick White | Voss | 442 | 1957 | Fiction | 7.650 | 7.389 | ||
| 4/5/26 | Joseph Andras | Tomorrow They Won't Dare to Murder Us | 144 | 2021 | Fiction | 8.000 | 7.778 | ||
| 4/2/26 | Roberto Bolaño | Posthumous Stories | 160 | 2025 | Fiction | 7.000 | 6.667 | ||
| 4/2/26 | Sophocles | Oedipus Rex | 94 | -429 | Fiction | 7.000 | 6.667 | ||
| 4/1/26 | Makenna Goodman | Helen of Nowhere | 160 | 2025 | Fiction | 7.350 | 7.056 | ||
| 3/31/26 | Roberto Bolaño | The Return | 208 | 2010 | Fiction | 7.115 | 6.795 | ||
| 3/27/26 | Roberto Bolaño | The Third Reich | 277 | 1989 | Fiction | 7.750 | 7.500 | ||
| 3/25/26 | Roberto Bolaño | Nazi Literature in the Americas | 237 | 1996 | Fiction | 8.250 | 8.056 | ||
| 3/23/26 | Roberto Bolaño | The Skating Rink | 192 | 1993 | Fiction | 7.350 | 7.056 | ||
| 3/22/26 | Roberto Bolaño | The Insufferable Gaucho | 164 | 2003 | Fiction | 7.625 | 7.361 | ||
| 3/21/26 | Roberto Bolaño | A Little Lumpen Novelita | 128 | 2002 | Fiction | 7.550 | 7.278 | ||
| 3/20/26 | Roberto Bolaño | Antwerp | 119 | 2002 | Fiction | 7.250 | 6.944 | ||
| 3/19/26 | David Foster Wallace | The Broom of the System | 467 | 1987 | Fiction | 7.875 | 7.639 | ||
| 3/14/26 | Alexis Wright | Praiseworthy | 736 | 2023 | Fiction | 7.125 | 6.806 | ||
| 3/4/26 | André Gide | The Immoralist | 154 | 1902 | Fiction | 7.000 | 6.667 | Ben Roth | |
| 3/3/26 | Stefan Zweig | Chess | 84 | 1942 | Fiction | 8.500 | 8.333 | ||
| 2/28/26 | Lucy Ellmann | Ducks, Newburyport | 1022 | 2019 | Fiction | 2.000 | 1.111 | ||
| 2/16/26 | Natsuo Kirino | Out | 416 | 1992 | Fiction | 5.000 | 4.444 | ||
| 1/30/26 | William H. Gass | The Tunnel | 652 | 1995 | Fiction | 8.550 | 8.389 | Ben Roth | |
| 1/25/26 | Jon Fosse | A New Name Septology (3) | 228 | 2021 | Fiction | 7.000 | 6.667 | ||
| 1/25/26 | Jacqueline Harpman | I Who Have Never Known Men | 184 | 1995 | Fiction | 6.850 | 6.500 | Jessika | |
| 1/24/26 | Jon Fosse | The Other Name Septology (1) | 351 | 2019 | Fiction | 6.500 | 6.111 | ||
| 1/24/26 | Jon Fosse | I is Another Septology (2) | 271 | 2020 | Fiction | 6.833 | 6.481 | ||
| 1/19/26 | Raymond Carver | What We Talk About When We Talk About Love | 176 | 1981 | Fiction | 6.500 | 6.111 | ||
| 1/18/26 | Sally Rooney | Beautiful World, Where Are You | 368 | 2021 | Fiction | 6.250 | 5.833 | Kayla | |
| 1/1/26 | Juan Rulfo | Pedro Páramo | 144 | 1955 | Fiction | 7.850 | 7.611 | ||
| 12/26/25 | Boris and Arkady Strugatsky | One Billion Years to the End of the World | 176 | 1977 | Fiction | 7.450 | 7.167 | ||
| 12/23/25 | Sally Rooney | Intermezzo | 448 | 2024 | Fiction | 7.850 | 7.611 | ||
| 11/27/25 | Vladimir Sorokin | Their Four Hearts | 204 | 1994 | Fiction | 7.500 | 7.222 | ||
| 11/10/25 | David Markson | Wittgenstein's Mistress | 248 | 1988 | Fiction | 8.250 | 8.056 | Dasha | |
| 10/22/25 | Milan Kundera | The Unbearable Lightness of Being | 314 | 1984 | Fiction | 8.200 | 8.000 | Ben Roth | |
| 10/15/25 | Louis-Ferdinand Céline | Guignol's Band | 287 | 1944 | Fiction | 6.000 | 5.556 | ||
| 10/12/25 | László Krasznahorkai | Sátántangó | 333 | 1985 | Fiction | 7.850 | 7.611 | ||
| 10/9/25 | Vigdis Hjorth | Will and Testament | 336 | 2016 | Fiction | 8.000 | 7.778 | ||
| 10/2/25 | Brett Easton Ellis | The Informers | 240 | 1994 | Fiction | 7.000 | 6.667 | ||
| 9/18/25 | Fyodor Dostoevsky | Poor Folk | 288 | 1846 | Fiction | 6.750 | 6.389 | Tommy A. | |
| 9/16/25 | David Foster Wallace | Brief Interviews with Hideous Men | 288 | 1999 | Fiction | 8.633 | 8.481 | ||
| 9/4/25 | Sue Monk Kidd | The Book of Longings | 432 | 2020 | Fiction | 6.350 | 5.944 | ||
| 8/25/25 | Roberto Bolaño | Amulet | 154 | 1999 | Fiction | 7.000 | 6.667 | ||
| 8/9/25 | Toni Morrison | Song of Solomon | 338 | 1977 | Fiction | 7.350 | 7.056 | Ben Roth | |
| 8/7/25 | Roberto Bolaño | Monsieur Pain | 134 | 1999 | Fiction | 8.100 | 7.889 | ||
| 8/6/25 | Denis Johnson | Train Dreams | 116 | 2002 | Fiction | 7.450 | 7.167 | Ben Roth | |
| 8/6/25 | Christina Brooke-Rose | Amalgamemnon | 152 | 1984 | Fiction | 7.250 | 6.944 | Dasha | |
| 8/5/25 | Thomas Pynchon | The Crying of Lot 49 | 152 | 1965 | Fiction | 8.750 | 8.611 | Preston | |
| 8/5/25 | Roberto Bolaño | By Night in Chile | 118 | 2000 | Fiction | 7.250 | 6.944 | ||
| 8/3/25 | Roberto Bolaño | The Savage Detectives | 656 | 1998 | Fiction | 7.167 | 6.852 | Dasha | |
| 7/31/25 | William Faulkner | As I Lay Dying | 288 | 1930 | Fiction | 7.750 | 7.500 | Dasha | |
| 7/14/25 | Mark Z. Danielewski | The Fifty Year Sword | 280 | 2005 | Fiction | 5.500 | 5.000 | ||
| 7/11/25 | Vladimir Nabokov | The Enchanter | 144 | 1986 | Fiction | 7.750 | 7.500 | ||
| 7/10/25 | Vladimir Nabokov | Look at the Harlequins! | 224 | 1974 | Fiction | 8.286 | 8.095 | ||
| 7/7/25 | Vladimir Nabokov | Nabokov's Dozen | 214 | 1958 | Fiction | 6.635 | 6.261 | ||
| 7/7/25 | Vladimir Nabokov | Transparent Things | 127 | 1972 | Fiction | 8.250 | 8.056 | ||
| 7/4/25 | Dino Buzzati | The Tartar Steppe | 198 | 1940 | Fiction | 7.650 | 7.389 | Ben Roth | |
| 6/24/25 | Vladimir Nabokov | Ada or Ardor: A Family Chronicle | 500 | 1969 | Fiction | 6.550 | 6.167 | ||
| 6/19/25 | Vladimir Nabokov | Pnin | 208 | 1957 | Fiction | 7.650 | 7.389 | ||
| 6/9/25 | Vladimir Nabokov | Bend Sinister | 272 | 1947 | Fiction | 7.250 | 6.944 | ||
| 6/7/25 | Vladimir Nabokov | The Gift | 384 | 1938 | Fiction | 6.250 | 5.833 | ||
| 6/3/25 | Vladimir Nabokov | Invitation to a Beheading | 240 | 1936 | Fiction | 7.500 | 7.222 | ||
| 5/31/25 | Gillian Flynn | Sharp Objects | 252 | 2006 | Fiction | 7.000 | 6.667 | ||
| 5/31/25 | Vladimir Nabokov | Laughter in the Dark | 304 | 1933 | Fiction | 7.350 | 7.056 | ||
| 5/27/25 | Hubert Selby Jr. | Last Exit to Brooklyn | 320 | 1964 | Fiction | 8.708 | 8.565 | King | |
| 5/24/25 | Herman Melville | Bartleby the Scrivener | 74 | 1853 | Fiction | 7.000 | 6.667 | Ben Roth | |
| 5/9/25 | Vladimir Nabokov | King, Queen, Knave | 272 | 1928 | Fiction | 7.600 | 7.333 | ||
| 5/9/25 | Vladimir Nabokov | The Eye | 128 | 1930 | Fiction | 6.500 | 6.111 | ||
| 5/8/25 | Vladimir Nabokov | Mary | 144 | 1926 | Fiction | 7.250 | 6.944 | ||
| 4/20/25 | Vladimir Nabokov | Glory | 224 | 1932 | Fiction | 6.750 | 6.389 | ||
| 4/19/25 | Vladimir Nabokov | Despair | 240 | 1934 | Fiction | 7.000 | 6.667 | ||
| 4/18/25 | Jane Austen | Sense and Sensibility | 432 | 1811 | Fiction | 7.750 | 7.500 | Emma | |
| 4/18/25 | Vladimir Nabokov | The Luzhin Defense | 280 | 1930 | Fiction | 7.850 | 7.611 | ||
| 4/15/25 | David Foster Wallace | The Pale King | 636 | 2011 | Fiction | 7.750 | 7.500 | ||
| 4/14/25 | Elisa Shua Dusapin | The Pachinko Parlor | 164 | 2018 | Fiction | 7.850 | 7.611 | ||
| 2/7/25 | James Joyce | Ulysses | 732 | 1920 | Fiction | 8.181 | 7.978 | ||
| 1/30/25 | Leo Tolstoy | The Death of Ivan Ilyich | 128 | 1886 | Fiction | 6.750 | 6.389 | King | |
| 1/29/25 | Hubert Selby Jr. | Requiem for a Dream | 288 | 1978 | Fiction | 7.500 | 7.222 | ||
| 1/21/25 | Kaveh Akbar | Martyr! | 352 | 2024 | Fiction | 7.750 | 7.500 | Tommy A. | |
| 1/14/25 | James Baldwin | Go Tell it on the Mountain | 272 | 1952 | Fiction | 8.000 | 7.778 | ||
| 1/12/25 | James Baldwin | If Beale Street Could Talk | 197 | 1974 | Fiction | 6.250 | 5.833 | ||
| 1/10/25 | James Baldwin | Giovanni's Room | 159 | 1956 | Fiction | 6.500 | 6.111 | ||
| 1/10/25 | Anthony Burgess | A Clockwork Orange | 243 | 1962 | Fiction | 7.500 | 7.222 | ||
| 1/4/25 | Khaled Hosseini | Kite Runner | 371 | 2003 | Fiction | 6.750 | 6.389 | ||
| 12/26/24 | Fyodor Dostoevsky | Notes from Underground | 168 | 1864 | Fiction | 7.500 | 7.222 | Tommy A. | |
| 12/10/24 | Neal Stephenson | Zodiac | 316 | 1988 | Fiction | 7.000 | 6.667 | ||
| 11/6/24 | Fyodor Dostoevsky | The Gambler | 191 | 1866 | Fiction | 6.500 | 6.111 | ||
| 11/5/24 | Fyodor Dostoevsky | The Double | 144 | 1846 | Fiction | 6.250 | 5.833 | ||
| 10/30/24 | David Foster Wallace | Infinite Jest | 1451 | 1996 | Fiction | 10.000 | 10.000 | ||
| 10/25/24 | Vladimir Nabokov | The Real Life of Sebastian Knight | 236 | 1941 | Fiction | 7.150 | 6.833 | ||
| 10/25/24 | Various | 40 x 40 | 394 | 2003 | Fiction | 7.500 | 7.222 | ||
| 10/20/24 | Fyodor Dostoevsky | The Idiot | 486 | 1869 | Fiction | 7.125 | 6.806 | Tommy A. | |
| 10/18/24 | John Kennedy Toole | A Confederacy of Dunces | 405 | 1980 | Fiction | 7.750 | 7.500 | Tommy A. | |
| 10/13/24 | Italo Calvino | Invisible Cities | 179 | 1972 | Fiction | 5.500 | 5.000 | ||
| 10/1/24 | Fyodor Dostoevsky | Crime and Punishment | 527 | 1866 | Fiction | 7.286 | 6.984 | Tommy A. | |
| 9/30/24 | Jorge Luis Borges | The Zahir | 13 | 1949 | Fiction | 7.250 | 6.944 | ||
| 9/26/24 | Haruki Murakami | Kafka on the Shore | 505 | 2002 | Fiction | 5.875 | 5.417 | ||
| 9/25/24 | Franz Kafka | In the Penal Colony | 33 | 1919 | Fiction | 7.500 | 7.222 | ||
| 9/25/24 | Ray Bradbury | The Veldt | 13 | 1950 | Fiction | 6.500 | 6.111 | ||
| 9/19/24 | William Faulkner | Light in August | 498 | 1932 | Fiction | 7.350 | 7.056 | ||
| 9/9/24 | Thomas Pynchon | V. | 545 | 1963 | Fiction | 7.221 | 6.912 | ||
| 8/14/24 | Fyodor Dostoevsky | The Brothers Karamazov | 898 | 1880 | Fiction | 8.654 | 8.504 | Tommy A. | |
| 8/5/24 | Brian O'Raleigh | Passage to Inis Mór | 305 | 2020 | Fiction | 7.750 | 7.500 | Grandpa | |
| 6/28/24 | Te-Ping Chen | The Land of Big Numbers | 236 | 2021 | Fiction | 5.625 | 5.139 | ||
| 6/26/24 | Various | American Short Fiction Vol. 9, Issue 33 | 128 | 2006 | Fiction | 7.625 | 7.361 | ||
| 6/20/24 | James Joyce | A Portrait of the Artist as a Young Man | 299 | 1916 | Fiction | 6.500 | 6.111 | ||
| 6/7/24 | Philip Roth | Everyman | 193 | 2006 | Fiction | 4.500 | 3.889 | ||
| 6/6/24 | Jorge Luis Borges | Tlön, Uqbar, Orbis Tertius | 16 | 1940 | Fiction | 7.750 | 7.500 | Chabon | |
| 6/3/24 | Cormac McCarthy | The Road | 257 | 2006 | Fiction | 7.500 | 7.222 | Chabon | |
| 5/30/24 | Vladimir Nabokov | Lolita | 336 | 1955 | Fiction | 8.213 | 8.014 | ||
| 5/17/24 | Neil Gaiman | American Gods | 518 | 2001 | Fiction | 5.125 | 4.583 | Nick W. | |
| 4/9/24 | Roberto Bolaño | 2666: A Novel | 912 | 2004 | Fiction | 8.150 | 7.944 | roon | |
| 3/21/24 | John Steinbeck | East of Eden | 601 | 1952 | Fiction | 8.688 | 8.542 | Jack H. | |
| 2/19/24 | Ray Bradbury | Mars is Heaven | 12 | 1948 | Fiction | 8.000 | 7.778 | ||
| 9/1/23 | Máirtín Ó Cadhain | Graveyard Clay | 328 | 1949 | Fiction | 6.750 | 6.389 | ||
| 12/13/22 | Adam Silvera | They Both Die at the End | 243 | 2017 | Fiction | 2.000 | 1.111 | ||
| 7/25/22 | Ray Bradbury | The Illustrated Man | 256 | 1969 | Fiction | 7.500 | 7.222 | ||
| 6/13/22 | Stephen King | The Institute | 576 | 2019 | Fiction | 6.500 | 6.111 | ||
| 6/12/19 | Stephen King | The Stand | 1153 | 1978 | Fiction | 8.500 | 8.333 | Dad | |
| 4/20/18 | Anthony Powell | The Acceptance World A Dance to the Music of Time (3) | 353 | 1955 | Fiction | 6.750 | 6.389 | Steg | |
| 4/17/18 | Anthony Powell | A Buyer's Market A Dance to the Music of Time (2) | 292 | 1952 | Fiction | 6.750 | 6.389 | Steg | |
| 4/15/18 | Anthony Powell | A Question of Upbringing A Dance to the Music of Time (1) | 230 | 1951 | Fiction | 6.750 | 6.389 | Steg | |
| 3/10/18 | Virginia Woolf | Mrs. Dalloway | 224 | 1925 | Fiction | 6.500 | 6.111 | Steg | |
| 11/12/17 | Kazuo Ishiguro | Never Let Me Go | 304 | 2005 | Fiction | 4.000 | 3.333 | ||
| 10/15/17 | William Golding | Lord of the Flies | 189 | 1954 | Fiction | 7.000 | 6.667 | ||
| 9/1/17 | Hunter S. Thompson | Fear and Loathing in Las Vegas | 225 | 1971 | Fiction | 6.000 | 5.556 | Alex W. | |
| 8/12/17 | Kurt Vonnegut | Slaughterhouse Five | 190 | 1969 | Fiction | 7.750 | 7.500 | Sean G. | |
| 6/21/17 | Fredrik Backman | And Every Morning the Way Home Gets Longer and Longer | 96 | 2016 | Fiction | 9.000 | 8.889 | Mom | |
| 5/27/17 | Franz Kafka | The Trial | 150 | 1925 | Fiction | 7.500 | 7.222 | ||
| 2/15/17 | Frank O'Connor | The Drunkard | 6 | 1948 | Fiction | 8.000 | 7.778 | ||
| 10/20/16 | Charles Dickens | A Tale of Two Cities | 544 | 1859 | Fiction | 6.750 | 6.389 | ||
| 10/10/16 | William Faulkner | The Sound and the Fury | 326 | 1927 | Fiction | 8.250 | 8.056 | Steg | |
| 5/20/16 | J.D. Salinger | Catcher in the Rye | 232 | 1951 | Fiction | 3.000 | 2.222 | ||
| 5/20/16 | Kurt Vonengut | Timequake | 278 | 2011 | Fiction | 8.250 | 8.056 | Sean G. | |
| 9/11/14 | Guy De Maupassant | The Prisoners | 24 | 1880 | Fiction | 7.500 | 7.222 | ||
| 3/15/13 | Richard Connell | The Most Dangerous Game | 18 | 1924 | Fiction | 7.250 | 6.944 | Mom |